McAuley, Louis Kirk
(forfatter)
Print Technology in Scotland and America, 1740-1800 e-bog
948,41 DKK
In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and Americaand, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scot…
In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and Americaand, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scottish and American literature and culturePrint Technology aims to increase our understanding of how tensions within these corresponding political and cultural arenas altered the meaning of print as an instrument of empire and nation building. McAuley reveals how seemingly disparate events, including journalism and literary forgery, were instrumental and innovative deployments of print not as a liberation technology (as Habermas's analysis of prints structural transformation of the public sphere suggests), but as a mediator of political tensions.
E-bog
948,41 DKK
Forlag
Bucknell University Press
Udgivet
07.11.2013
Længde
326 sider
Genrer
1DBK
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9781611485448
In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and Americaand, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scottish and American literature and culturePrint Technology aims to increase our understanding of how tensions within these corresponding political and cultural arenas altered the meaning of print as an instrument of empire and nation building. McAuley reveals how seemingly disparate events, including journalism and literary forgery, were instrumental and innovative deployments of print not as a liberation technology (as Habermas's analysis of prints structural transformation of the public sphere suggests), but as a mediator of political tensions.
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