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Indolent and Blundering Art? e-bog
288,10 DKK
(inkl. moms 360,12 DKK)
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and ...
E-bog
288,10 DKK
Forlag
Routledge
Udgivet
10 august 2018
Længde
294 sider
Genrer
1DBKE
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780429852831
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching