Fictional Commons e-bog
260,50 DKK
(inkl. moms 325,62 DKK)
Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and...
E-bog
260,50 DKK
Forlag
Duke University Press Books
Udgivet
9 august 2021
Længde
240 sider
Genrer
1FPJ
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9781478021926
Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.