Animality and Colonial Subjecthood in Africa (e-bog) af Aderinto, Saheed
Aderinto, Saheed (forfatter)

Animality and Colonial Subjecthood in Africa e-bog

366,80 DKK (inkl. moms 458,50 DKK)
With this multispecies study of animals as instrumentalities of the colonial state in Nigeria, Saheed Aderinto argues that animals, like humans, were colonial subjects in Africa.Animality and Colonial Subjecthood in Africa broadens the historiography of animal studies by putting a diverse array of species (dogs, horses, livestock, and wildlife) into a single analytical framework for understandi...
E-bog 366,80 DKK
Forfattere Aderinto, Saheed (forfatter)
Udgivet 17 maj 2022
Længde 340 sider
Genrer 1HFD
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9780821447680
With this multispecies study of animals as instrumentalities of the colonial state in Nigeria, Saheed Aderinto argues that animals, like humans, were colonial subjects in Africa.Animality and Colonial Subjecthood in Africa broadens the historiography of animal studies by putting a diverse array of species (dogs, horses, livestock, and wildlife) into a single analytical framework for understanding colonialism in Nigeria and Africa as a whole.From his study of animals with unequal political, economic, social, and intellectual capabilities, Aderinto establishes that the core dichotomies of human colonial subjecthood-indispensable yet disposable, good and bad, violent but peaceful, saintly and lawless-were also embedded in the identities of Nigeria's animal inhabitants. If class, religion, ethnicity, location, and attitude toward imperialism determined the pattern of relations between human Nigerians and the colonial government, then species, habitat, material value, threat, and biological and psychological characteristics (among other traits) shaped imperial perspectives on animal Nigerians. Conceptually sophisticated and intellectually engaging, Aderinto's thesis challenges readers to rethink what constitutes history and to recognize that human agency and narrative are not the only makers of the past.