Kun, Josh
(redaktør)
Tide Was Always High e-bog
288,10 DKK
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song ';The Tide Is High,' originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician ';Alex' Acua, and with horns and violins that were pure LAmariachiby way of Mexico, ';The Tide Is High' demonstrates just one of the…
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song ';The Tide Is High,' originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician ';Alex' Acua, and with horns and violins that were pure LAmariachiby way of Mexico, ';The Tide Is High' demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century. The Tide Was Always Highgathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Gettys Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city's culturefrom Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garca Esquivel.
E-bog
288,10 DKK
Udgivet
26.09.2017
Længde
252 sider
Genrer
1KBB
Sprog
English
Format
epub
Beskyttelse
LCP
ISBN
9780520967533
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song ';The Tide Is High,' originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician ';Alex' Acua, and with horns and violins that were pure LAmariachiby way of Mexico, ';The Tide Is High' demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century. The Tide Was Always Highgathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Gettys Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city's culturefrom Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garca Esquivel.
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