Simon Bolivar e-bog
802,25 DKK
(inkl. moms 1002,81 DKK)
"e;Shows us how and why Simon Bolivar is still a major icon in Latin American culture. Cinema, politics, painting, literature, religion, and opera are all touched and marked by 'El Libertador' who is still very much an active force in Latin America."e;--Efrain Barradas, author of Mente, Mirada, Mano: Visiones y Revisiones de La Obra de Lorenzo Homar"e;An indispensable resource for a...
E-bog
802,25 DKK
Forlag
University Press of Florida
Udgivet
6 juli 2016
Længde
256 sider
Genrer
1KJ
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780813055978
"e;Shows us how and why Simon Bolivar is still a major icon in Latin American culture. Cinema, politics, painting, literature, religion, and opera are all touched and marked by 'El Libertador' who is still very much an active force in Latin America."e;--Efrain Barradas, author of Mente, Mirada, Mano: Visiones y Revisiones de La Obra de Lorenzo Homar"e;An indispensable resource for anyone interested in the myth and memory of Simn Bolvar."e;--Sibylle Fischer, author of Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of RevolutionOne of Latin America's most famous historical figures, Simn Bolvar has become a mythic symbol for many nations, empires, and revolutions used to support wildly diverse--sometimes opposite--ideas. From colonial Cuba to Nazi-occupied France to Cold War-era Slovenia, the image of "e;El Libertador"e; has variously signified loyalty, national unity, liberation, freedom, and revolt.In this volume, an array of international and interdisciplinary scholars shows the ways Bolvar has appeared over the last two centuries in painting, fiction, poetry, music, film, festival, dance, city planning, and even reliquary adoration. They illustrate how Bolvar's body has been exalted, reimagined, or fragmented in different contexts, taking on a range of meanings to represent the politics and poetics of today's national bodies.By critically analyzing many examples of cultural Bolivarianisms, or cults of Bolvar, this collection demonstrates the capacity of the arts and humanities to challenge and reinvent hegemonic icons and narratives and, therefore, to be vital to democracy.Maureen G. Shanahan is professor of art history at James Madison University. Ana Mara Reyes is assistant professor of Latin American art history at Boston University.