Insubordination of Photography (e-bog) af Macaya, Angeles Donoso

Insubordination of Photography e-bog

2190,77 DKK (inkl. moms 2738,46 DKK)
Latin American Studies Association Visual Culture Section Best Book PrizeLatin American Studies Association Historia Reciente y Memoria Section Best Book PrizeAfter Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents.The Insubordination of Photographyis the first book to analyze how various collectives, organization...
E-bog 2190,77 DKK
Forfattere Macaya, Angeles Donoso (forfatter)
Udgivet 11 december 2019
Længde 268 sider
Genrer 1KLS
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9781683401223
Latin American Studies Association Visual Culture Section Best Book PrizeLatin American Studies Association Historia Reciente y Memoria Section Best Book PrizeAfter Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents.The Insubordination of Photographyis the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochets authoritarian regime.ngeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonqun case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nations politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Hctor Fernndez LHoeste and Juan Carlos Rodrguez