Color of Asylum e-bog
265,81 DKK
(inkl. moms 332,26 DKK)
An ethnography of the difficult experiences of refugees in Brazil. In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil-in contrast to much of the international community-offer asylum to any Syrian who would come? And how do Syrians differ from other refugee pop...
E-bog
265,81 DKK
Forlag
University of Chicago Press
Udgivet
5 september 2023
Længde
256 sider
Genrer
1KLSB
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780226828435
An ethnography of the difficult experiences of refugees in Brazil. In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil-in contrast to much of the international community-offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil? In The Color of Asylum, Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.