Aisthesis (e-bog) af Ranciere, Jacques
Ranciere, Jacques

Aisthesis e-bog

78,54 DKK
The definitive statement on aesthetics and the history of modernism from one of France's most renowned philosophers. Composed of a series of scenes that defined modernism, Aisthesis takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarm, to the Folies-Berg,re, attend a lecture by Emerson, vi…
The definitive statement on aesthetics and the history of modernism from one of France's most renowned philosophers. Composed of a series of scenes that defined modernism, Aisthesis takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarm, to the Folies-Berg,re, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Ranci,re uses these sites and events to ask what becomes art and what comes from it. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
E-bog 78,54 DKK
Forfattere Ranciere, Jacques (forfatter), Paul, Zakir (oversætter)
Forlag Verso
Udgivet 04.06.2013
Længde 304 sider
Genrer Theory of art
Sprog English
Format epub
Beskyttelse LCP
ISBN 9781781684771

The definitive statement on aesthetics and the history of modernism from one of France's most renowned philosophers. Composed of a series of scenes that defined modernism, Aisthesis takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarm, to the Folies-Berg,re, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Ranci,re uses these sites and events to ask what becomes art and what comes from it. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.