Art of Champa (e-bog) af Jean-Francois Hubert, Hubert

Art of Champa e-bog

96,50 DKK (inkl. moms 120,62 DKK)
From 12 October 2005 to 9 January 2006, the Musee Guimet in Paris will play host to an exceptional exhibition: 'Treasures of Vietnamese Art... Champa Sculpture'. This show will bring together for the first time, outstanding pieces from the Musee Guimet, the National Museums of France and the national Vietnamese museums of Da Nang and Ho Chi Minh (formerly Saigon). The discretion of private coll...
E-bog 96,50 DKK
Forfattere Jean-Francois Hubert, Hubert (forfatter)
Udgivet 8 maj 2012
Længde 232 sider
Genrer Individual artists, art monographs
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9781780429649
From 12 October 2005 to 9 January 2006, the Musee Guimet in Paris will play host to an exceptional exhibition: 'Treasures of Vietnamese Art... Champa Sculpture'. This show will bring together for the first time, outstanding pieces from the Musee Guimet, the National Museums of France and the national Vietnamese museums of Da Nang and Ho Chi Minh (formerly Saigon). The discretion of private collectors has meant that, until now, much of the wealth of this great Asian art form has remained relatively unknown but this show also includes several truly exceptional pieces from private collections, hitherto inaccessible to both the public and most curators. Jean-Francois Hubert, an international expert on Vietnamese art, has succeeding in creating a unique artistic opportunity. In the 5th century, the Champa kingdom held sway over a large area of today's Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham Sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze, and primarily illustrated themes from Indian mythology. The kingdom was gradually eroded during the 15th century by the irresistible descent of the people towards the south ("e;Nam Tien"e;) from their original base in the Red River region. The author explores, describes and comments on the various styles of Cham sculpure, drawing on a rich and, as yet largely unpublished, iconographic vein.