Philosophy and the Moving Image (e-bog) af Carroll, Noel
Carroll, Noel (forfatter)

Philosophy and the Moving Image e-bog

509,93 DKK (inkl. moms 637,41 DKK)
A wide-ranging, eclectic collection of essays on philosophy and the moving image by a pre-eminent philosopher of artThis volume presents a selection of philosopher Nol Carroll's essays-several of which appear in print here for the first time-at the intersection of philosophy, film, and television. The volume begins with broad, foundational issues-what the moving image is, the nature of the medi...
E-bog 509,93 DKK
Forfattere Carroll, Noel (forfatter)
Udgivet 25 juni 2021
Længde 304 sider
Genrer APFA
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9780190683313
A wide-ranging, eclectic collection of essays on philosophy and the moving image by a pre-eminent philosopher of artThis volume presents a selection of philosopher Nol Carroll's essays-several of which appear in print here for the first time-at the intersection of philosophy, film, and television. The volume begins with broad, foundational issues-what the moving image is, the nature of the medium of film and how we should evaluate it-engaging critically with the most essential problems and puzzles in the field. Carroll then moves to more focused issues in the philosophy of film and television. He reflects on whether ethical defects in fictional characters such as Tony Soprano have an impact on artistic excellence; the role of films in political debates (using the examples of Star Trek and Planet of the Apes); the question of whether film can do philosophy in its own way; and philosophical themes in avant-garde cinema. His analysis touches on a broad range of areas in philosophy including metaphysics, epistemology, ethics, politics, and aesthetics. The book then concludes with philosophical re-assessments of key figures in the philosophy of the moving image-Sergei Eisenstein, Arthur Danto, Bela Balasz, and Stanley Cavell. A wide-ranging and eclectic collection of work by a major figure in aesthetics and the philosophy of film and television, this volume will appeal to scholars, students, and cinephiles alike.