Six Irish Folksongs - Sheet Music for Soprano, Alto, Tenor, Bass and Piano - Words by Thomas Moore - Op. 78 (e-bog) af Moore, Thomas
Moore, Thomas (forfatter)

Six Irish Folksongs - Sheet Music for Soprano, Alto, Tenor, Bass and Piano - Words by Thomas Moore - Op. 78 e-bog

35,47 DKK (inkl. moms 44,34 DKK)
Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus...
E-bog 35,47 DKK
Forfattere Moore, Thomas (forfatter)
Udgivet 14 juli 2020
Længde 34 sider
Genrer Performing arts
Sprog English
Format epub
Beskyttelse LCP
ISBN 9781528767170
Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. This volume contains the original sheet music for six Irish folk-songs, composed by Stanford and written by Sir Thomas Moore. They include: "e;Oh! Breathe Not His Name"e;, "e;What the Bee is to the Flow'ret"e;, "e;At the Mid Hour of Night"e;, "e;The Sword of Erin"e;, "e;It is Not the Tear"e;, and "e;Oh, The Sight Entrancing"e;. The music is for alto, tenor, bass and piano. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.