Tom Stoppard e-bog
200,69 DKK
(inkl. moms 250,86 DKK)
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming "e;late modernist"e; in the 1970s (Travesties) and fully modernist in the ...
E-bog
200,69 DKK
Forlag
McFarland
Udgivet
8 november 2012
Længde
222 sider
Genrer
Theatre studies
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780786493098
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming "e;late modernist"e; in the 1970s (Travesties) and fully modernist in the 80s and 90s (The Real Thing and Arcadia). This pattern also makes sense of Stoppard's recent and uncharacteristic foray into dramatic realism with The Coast of Utopia (2002) and Rock 'n' Roll (2006), at which point the playwright seems to embrace the more straightforward rhetorical advantages of literary realism.