Tom Stoppard (e-bog) af Daniel Keith Jernigan, Jernigan

Tom Stoppard e-bog

200,69 DKK (inkl. moms 250,86 DKK)
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming &quote;late modernist&quote; in the 1970s (Travesties) and fully modernist in the ...
E-bog 200,69 DKK
Forfattere Daniel Keith Jernigan, Jernigan (forfatter)
Forlag McFarland
Udgivet 8 november 2012
Længde 222 sider
Genrer Theatre studies
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9780786493098
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming "e;late modernist"e; in the 1970s (Travesties) and fully modernist in the 80s and 90s (The Real Thing and Arcadia). This pattern also makes sense of Stoppard's recent and uncharacteristic foray into dramatic realism with The Coast of Utopia (2002) and Rock 'n' Roll (2006), at which point the playwright seems to embrace the more straightforward rhetorical advantages of literary realism.