Interpreting Music (e-bog) af Kramer, Lawrence
Kramer, Lawrence

Interpreting Music e-bog

322,59 DKK
Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully-"e;interpreting music"e; in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning-even the very concept of music-whil…
Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully-"e;interpreting music"e; in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning-even the very concept of music-while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.
E-bog 322,59 DKK
Forfattere Kramer, Lawrence (forfatter)
Udgivet 02.11.2010
Længde 336 sider
Genrer Theory of music and musicology
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9780520947368

Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully-"e;interpreting music"e; in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning-even the very concept of music-while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.