On Counter-Enlightenment, Existential Irony, and Sanctification (e-bog) af Matras, Judah
Matras, Judah

On Counter-Enlightenment, Existential Irony, and Sanctification e-bog

1167,65 DKK
This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of "e;existential irony"e; and "e;sanctification,"e; which have been mentioned or discussed by music scholars, historians, and musicologists only either in co…
This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of "e;existential irony"e; and "e;sanctification,"e; which have been mentioned or discussed by music scholars, historians, and musicologists only either in connection with specific composers' works (Shostakovich's, in the case of "e;existential irony"e;) or very parenthetically, merely in passing in the biographies of composers of "e;classical"e; musics. This groundbreaking work illustrates their generality and sociological sources and correlates in contemporary Western art musics.
E-bog 1167,65 DKK
Forfattere Matras, Judah (forfatter)
Udgivet 14.12.2021
Længde 308 sider
Genrer Theory of music and musicology
Sprog English
Format epub
Beskyttelse LCP
ISBN 9781644697481

This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of "e;existential irony"e; and "e;sanctification,"e; which have been mentioned or discussed by music scholars, historians, and musicologists only either in connection with specific composers' works (Shostakovich's, in the case of "e;existential irony"e;) or very parenthetically, merely in passing in the biographies of composers of "e;classical"e; musics. This groundbreaking work illustrates their generality and sociological sources and correlates in contemporary Western art musics.