Songs for a Revolution (e-bog) af Robb, David G
Robb, David G (forfatter)

Songs for a Revolution e-bog

253,01 DKK (inkl. moms 316,26 DKK)
Makes available twenty-two protest songs of the period up to and including the 1848 Revolution in Germany along with a reception history of the songs through their revival after 1945.The socially volatile period of the Vormarz (1830-1848) and the 1848 Revolution in Germany produced a wealth of political protest song. Songs for a Revolution makes available twenty-two prominent protest songs from...
E-bog 253,01 DKK
Forfattere Robb, David G (forfatter), Robb, David G (medforfatter)
Forlag Camden House
Udgivet 15 oktober 2020
Længde 384 sider
Genrer Music reviews and criticism
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9781787448629
Makes available twenty-two protest songs of the period up to and including the 1848 Revolution in Germany along with a reception history of the songs through their revival after 1945.The socially volatile period of the Vormarz (1830-1848) and the 1848 Revolution in Germany produced a wealth of political protest song. Songs for a Revolution makes available twenty-two prominent protest songs from that time, both lyrics (in German and English) and melodies. It also chronicles the songs' reception: suppressed after the revolution, they fell into obscurity, despite intermittent revivals by the workers' movement and later in the Weimar Republic, until they were appropriated as democratic cultural heritage by the folk and political song movements of East and West Germany after 1945. The songs reflect the new, oppositional political consciousness that emerged during the post-1830 period of restoration and led to the revolution. The book makes use of broadsides, songbooks, newspaper reports, and manuscripts to document the songs' transmission and shed light on the milieus in which they circulated. It also demonstrates how the appropriation of these songs by the German Liedermacher and folk scene shaped today's cultural memory of the 1848 period. It illuminates the functioning of political ideology in these reception processes, which in turn have given rise to myths that have influenced the discourse on the 1848 songs. ECKHARD JOHN is Senior Research Fellow in the Center for Popular Culture and Music at the University of Freiburg. DAVID ROBB is Senior Lecturer in Music at Queens University Belfast.