Qur'an and Modern Arabic Literary Criticism (e-bog) af Mohammad Salama, Salama

Qur'an and Modern Arabic Literary Criticism e-bog

370,35 DKK (ekskl. moms 296,28 DKK)
In The Qur'an and Modern Arabic Literary Criticism, Mohammad Salama navigates the labyrinthine semantics that underlie this sacred text and inform contemporary scholarship. The book presents reflections on Quranic exegesis by explaining - and distinguishing between - interpretation and explication. While the book focuses on Quranic and literary scholarship in twentieth-century Egypt from Taha H...
E-bog 370,35 DKK
Forfattere Mohammad Salama, Salama (forfatter)
Udgivet 17 maj 2018
Længde 176 sider
Genrer Translation and interpretation
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9781474253253
In The Qur'an and Modern Arabic Literary Criticism, Mohammad Salama navigates the labyrinthine semantics that underlie this sacred text and inform contemporary scholarship. The book presents reflections on Quranic exegesis by explaining - and distinguishing between - interpretation and explication. While the book focuses on Quranic and literary scholarship in twentieth-century Egypt from Taha Husayn to Nasr Hamid Abu Zayd, it also engages with an immense tradition of scholarship from the classical period to the present, including authors such as Abu 'Ubayda, Ibn 'Abbas, al-Razi, and al-Tabari.Salama argues that, over the centuries, the Arabic language experienced semantic and phonological shifts, creating a lacuna in understanding the Qur'an and bringing contemporary readers under the spell of hermeneutical and parochial interpretations. He demonstrates that while this lacuna explains much of the intellectual poverty of traditionalist approaches to Quranic exegesis, the work of the modern Egyptian school of academics marks a sharp departure from the programmed conservatism of Islamist and Salafi exegetics. Through analyses of the writings of these intellectuals, the author shows that a fresh look at the sources and a revolutionary attempt to approach the Qur'an could render tradition itself an impetus for an alternative aesthetics-contextual, open, and unfolding.