Dear Leader e-bog

I'm ill-equippedfor this. I sitby a fake fireplacethat frames a real flame.I've been crossedby two crows today.Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: "e;O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter."e; Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar "e;Dear Reader"e; or Dickinson's "e;Dear Master"e; ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean the mem of memory and the fabric we make of the uncertain in-between. HoaNguyen,The Boston ReviewHow can we live with the kind of pain that worsens each day? Dear Leaderexplains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart under assault, bleeding but unbroken. Part Orpheus, part pop-heroine who can paint the daytime black, all, an original act of aesthetic violence and pure, dauntless, love. Lynn CrosbieIn Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And thats the magic: this is a poetry that refuses to be staged or to succumb to clich or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. Say youre a poet, Rogers advises us, tongue-in-cheek, Maybe you mean / Hi, I have a lot of feelings. Striking that balance between one-liners and mourning is no small feat.Trillium Award Jury CitationPraise for Paper Radio: Paper Radio jumped out at me and I cant say why, but thats what you want poetry to do, and I never want to say why. Because its real and talking to me. Because its bloody and horrifying beauty. Its the Clash and Buckminster Fuller, Auden and Bowie. Bob HolmanOriginally from the Detroit area, Damian Rogers now lives in Toronto where she works as the poetry editor of House of Anansi Press and as the creative director of Poetry in Voice. Her first book, Paper Radio, was nominated for the Pat Lowther Memorial Award.