Tim Crouch: Plays One (e-bog) af Tim Crouch, Crouch
Tim Crouch, Crouch

Tim Crouch: Plays One e-bog

184,80 DKK
Includes the plays The Author, England, An Oak Tree and My Arm. My Arm'...he is actually exploring on stage the nature of art and performance itself, taking risks in the process At these moments, Crouch is armed and dangerous.' GuardianAn Oak Tree'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on SundayENGLAND' created…
Includes the plays The Author, England, An Oak Tree and My Arm. My Arm'...he is actually exploring on stage the nature of art and performance itself, taking risks in the process At these moments, Crouch is armed and dangerous.' GuardianAn Oak Tree'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on SundayENGLAND' created with rigorous, poetic economy ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.' New York TimesThe Author'This is not audience participation; it is the audience at once being the theatre and interrogating it.' Financial Times
E-bog 184,80 DKK
Forfattere Tim Crouch, Crouch (forfatter)
Forlag Oberon Books
Udgivet 15.05.2012
Længde 240 sider
Genrer Plays, playscripts
Sprog English
Format epub
Beskyttelse LCP
ISBN 9781849435192

Includes the plays The Author, England, An Oak Tree and My Arm. My Arm'...he is actually exploring on stage the nature of art and performance itself, taking risks in the process At these moments, Crouch is armed and dangerous.' GuardianAn Oak Tree'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on SundayENGLAND' created with rigorous, poetic economy ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.' New York TimesThe Author'This is not audience participation; it is the audience at once being the theatre and interrogating it.' Financial Times