Against the Tide (e-bog) af Horwitz, Kolski
Horwitz, Kolski

Against the Tide e-bog

403,64 DKK
The four plays that make up this collection Thabo Mbeki and Other Nightmares by Tsepo wa-Mamatu; Circles by Tau Maserumule; Comrade Babble by Allan Kolski Horwitz; My Life in the Bush of Ghosts by Lesego Rampolokeng/Liepollo Rantekoa, Stacy Hardy and Jaco Bouwer; The Life and Times of Brett Kebble by Patrick Bond, have, as a linking thread, their confrontation with the ongoing corruption and mism…
The four plays that make up this collection Thabo Mbeki and Other Nightmares by Tsepo wa-Mamatu; Circles by Tau Maserumule; Comrade Babble by Allan Kolski Horwitz; My Life in the Bush of Ghosts by Lesego Rampolokeng/Liepollo Rantekoa, Stacy Hardy and Jaco Bouwer; The Life and Times of Brett Kebble by Patrick Bond, have, as a linking thread, their confrontation with the ongoing corruption and mismanagement that characterizes the not-so-new liberated South Africa. Stylistically quite different, each breaks new ground in presenting these debilitating features and while tackling political themes head-on, never degenerates into mere sloganeering or counter-propaganda. Indeed, they take contemporary South African playwriting to new heights of 'committed theatre'.
E-bog 403,64 DKK
Forfattere Horwitz, Kolski (forfatter)
Udgivet 29.12.2013
Længde 202 sider
Genrer Modern and contemporary plays (c 1900 onwards)
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9781990922435

The four plays that make up this collection Thabo Mbeki and Other Nightmares by Tsepo wa-Mamatu; Circles by Tau Maserumule; Comrade Babble by Allan Kolski Horwitz; My Life in the Bush of Ghosts by Lesego Rampolokeng/Liepollo Rantekoa, Stacy Hardy and Jaco Bouwer; The Life and Times of Brett Kebble by Patrick Bond, have, as a linking thread, their confrontation with the ongoing corruption and mismanagement that characterizes the not-so-new liberated South Africa. Stylistically quite different, each breaks new ground in presenting these debilitating features and while tackling political themes head-on, never degenerates into mere sloganeering or counter-propaganda. Indeed, they take contemporary South African playwriting to new heights of 'committed theatre'.