My 1980s and Other Essays (e-bog) af Koestenbaum, Wayne
Koestenbaum, Wayne (forfatter)

My 1980s and Other Essays e-bog

81,03 DKK (inkl. moms 101,29 DKK)
Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays on the 1980s, including essays on major cultural figures such as Andy Warhol and Brigitte Bardot.Wayne Koestenbaum has been described as &quote;an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag&quote; (Bidoun). In My 1980s and Othe...
E-bog 81,03 DKK
Forfattere Koestenbaum, Wayne (forfatter)
Forlag FSG Originals
Udgivet 13 august 2013
Længde 336 sider
Genrer DNF
Sprog English
Format epub
Beskyttelse LCP
ISBN 9780374709761
Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays on the 1980s, including essays on major cultural figures such as Andy Warhol and Brigitte Bardot.Wayne Koestenbaum has been described as "e;an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag"e; (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description.My 1980s and Other Essays opens with a series of manifestos-or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bolano, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal-the voice, the style, the flair-that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience.Koestenbaum is perched on the cusp of being a true public intellectual-his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.