Reading Old Books e-bog
184,80 DKK
(inkl. moms 231,00 DKK)
A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, tradition is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps write...
E-bog
184,80 DKK
Forlag
Princeton University Press
Udgivet
24 september 2019
Længde
256 sider
Genrer
Literature: history and criticism
Sprog
English
Format
epub
Beskyttelse
LCP
ISBN
9780691195353
A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, tradition is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps writers and readers make new works and meanings.Reading Old Books argues that the best way to understand tradition is by examining the moments when a writer takes up an old text and writes something new out of a dialogue with that text and the promptings of the present situation. The book examines Petrarch as a user, instigator, and victim of tradition. It shows how Chaucer became the first great English writer by translating and adapting a minor poem by Boccaccio. It investigates how Ariosto, Tasso, and Spenser made new epic meanings by playing with assumptions, episodes, and phrases translated from their predecessors. It analyzes how the Victorian novelist Elizabeth Gaskell drew on tradition to address the new problem of urban deprivation in Mary Barton. And, finally, it looks at how the Kenyan writer Ngugi wa Thiong'o, in his 2004 novel Wizard of the Crow, reflects on biblical, English literary, and African traditions.Drawing on key theorists, critics, historians, and sociologists, and stressing the international character of literary tradition, Reading Old Books illuminates the not entirely free choices readers and writers make to create meaning in collaboration and competition with their models.