&quote;Why Ask My Name?&quote; (e-bog) af Reinhartz, Adele
Reinhartz, Adele

&quote;Why Ask My Name?&quote; e-bog

1167,65 DKK
Unnamed characters--such as Lot's wife, Jephthah's daughter, Pharaoh's baker, and the witch of Endor--are ubiquitous in the Hebrew Bible and appear in a wide variety of roles. Adele Reinhartz here seeks to answer two principal questions: first, is there a "e;poetics of anonymity,"e; and if so, what are its contours? Second, how does anonymity affect the readers' response to and constructi…
Unnamed characters--such as Lot's wife, Jephthah's daughter, Pharaoh's baker, and the witch of Endor--are ubiquitous in the Hebrew Bible and appear in a wide variety of roles. Adele Reinhartz here seeks to answer two principal questions: first, is there a "e;poetics of anonymity,"e; and if so, what are its contours? Second, how does anonymity affect the readers' response to and construction of unnamed biblical characters? The author is especially interested in issues related to gender and class, seeking to determine whether anonymity is more prominent among mothers, wives, daughters, and servants than among fathers, husbands, sons and kings and whether the anonymity of female characters functions differently from that of male characters.
E-bog 1167,65 DKK
Forfattere Reinhartz, Adele (forfatter)
Udgivet 12.11.1998
Genrer Literary theory
Sprog English
Format pdf
Beskyttelse LCP
ISBN 9780195356717

Unnamed characters--such as Lot's wife, Jephthah's daughter, Pharaoh's baker, and the witch of Endor--are ubiquitous in the Hebrew Bible and appear in a wide variety of roles. Adele Reinhartz here seeks to answer two principal questions: first, is there a "e;poetics of anonymity,"e; and if so, what are its contours? Second, how does anonymity affect the readers' response to and construction of unnamed biblical characters? The author is especially interested in issues related to gender and class, seeking to determine whether anonymity is more prominent among mothers, wives, daughters, and servants than among fathers, husbands, sons and kings and whether the anonymity of female characters functions differently from that of male characters.