Tristan Corbiere and the Poetics of Irony e-bog
1167,65 DKK
(inkl. moms 1459,56 DKK)
Tristan Corbiere is often viewed as the archetypal poete maudit, a misunderstood rebel and bohemian prankster. This is a study of the poet's innovative use of language. It uses the critical tool of irony to analyse his idiosyncratic verse, showing how he contributed to the general revolution in poetic language that marked the 1870s in France. Corbiere's poetry pushed the ironic element in Baude...
E-bog
1167,65 DKK
Forlag
OUP Oxford
Udgivet
22 juni 2006
Genrer
Literary studies: c 1800 to c 1900
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780191537820
Tristan Corbiere is often viewed as the archetypal poete maudit, a misunderstood rebel and bohemian prankster. This is a study of the poet's innovative use of language. It uses the critical tool of irony to analyse his idiosyncratic verse, showing how he contributed to the general revolution in poetic language that marked the 1870s in France. Corbiere's poetry pushed the ironic element in Baudelaire to its limit and exerted an importantinfluence on Laforgue, Pound, and Eliot. It played a key role in the ironic tradition of Symbolism which is often overshadowed by the 'pure' poetry of contemporaries like Mallarm Using close textual readings of poems from Les Amours jaunes (1873), the only collection published in Corbire's lifetime, this book outlines a method of reading his self-contradictory verse. It tackles the difficulty of interpreting ironic discourse and demonstrates how irony operates in Les Amours jaunes at all levels from verbal device to world-view, showing how the doubts of modern man and the spiritual void of commodity culture shape the very language of his poetry. Synthesizing critical approaches from continental and Anglo-American traditions, it analyses his use of puns, oral diction, dialogue, quotation, and intertextuality. It shows how he systematically undercuts habitual strategies of reading, by importing novelistic techniques into verse to deride it from within, and byironizing irony itself. This is an introduction to the work of a challenging poet and a study of the practice of reading French verse.