Brief History of Yes (e-bog) af Marcom, Micheline Aharonian

Brief History of Yes e-bog

102,59 DKK
Micheline Marcom describes her newest novel, A Brief History of Yes-her first since 2008's scathing and erotic The Mirror in the Well-as a "e;literary fado,"e; referring to a style of Portuguese music that, akin to the American blues, is often melancholic and soulful, and encapsulates the feeling of what the Portuguese call saudade-meaning, loosely, yearning and nostalgia for something or…
Micheline Marcom describes her newest novel, A Brief History of Yes-her first since 2008's scathing and erotic The Mirror in the Well-as a "e;literary fado,"e; referring to a style of Portuguese music that, akin to the American blues, is often melancholic and soulful, and encapsulates the feeling of what the Portuguese call saudade-meaning, loosely, yearning and nostalgia for something or someone irrepreably lost. A Brief History of Yes tells the story of the break-up between a Portuguese woman named Maria and an unnamed American man: it is a collage-like, fragmentary novel whose form captures the workings of attraction and grief, proving once again that American letters has no better poet of love and loss than Micheline Aharonian Marcom.
E-bog 102,59 DKK
Forfattere Marcom, Micheline Aharonian (forfatter)
Udgivet 18.06.2013
Længde 98 sider
Genrer FA
Sprog English
Format epub
Beskyttelse LCP
ISBN 9781564789761

Micheline Marcom describes her newest novel, A Brief History of Yes-her first since 2008's scathing and erotic The Mirror in the Well-as a "e;literary fado,"e; referring to a style of Portuguese music that, akin to the American blues, is often melancholic and soulful, and encapsulates the feeling of what the Portuguese call saudade-meaning, loosely, yearning and nostalgia for something or someone irrepreably lost. A Brief History of Yes tells the story of the break-up between a Portuguese woman named Maria and an unnamed American man: it is a collage-like, fragmentary novel whose form captures the workings of attraction and grief, proving once again that American letters has no better poet of love and loss than Micheline Aharonian Marcom.