Williamson, Henry
(forfatter)
Donkey Boy e-bog
99,54 DKK
Donkey Boy (1952) was the second entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. It tells of Richard Maddison's first-born Phillip, nicknamed 'donkey boy' because his life was saved in infancy by being fed with ass's milk. The boy grows up in the Edwardian era, something o…
Donkey Boy (1952) was the second entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. It tells of Richard Maddison's first-born Phillip, nicknamed 'donkey boy' because his life was saved in infancy by being fed with ass's milk. The boy grows up in the Edwardian era, something of a misfit, at odds with his father. 'With extraordinary skill and precision [Williamson] rebuilds the scenery of the past... [he] seems to be engaged in a thriller whose instalments can be relied on to animate a whole section of social history.' Spectator'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939
E-bog
99,54 DKK
Forlag
Faber & Faber
Udgivet
19.06.2014
Genrer
FA
Sprog
English
Format
epub
Beskyttelse
LCP
ISBN
9780571310470
Donkey Boy (1952) was the second entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. It tells of Richard Maddison's first-born Phillip, nicknamed 'donkey boy' because his life was saved in infancy by being fed with ass's milk. The boy grows up in the Edwardian era, something of a misfit, at odds with his father. 'With extraordinary skill and precision [Williamson] rebuilds the scenery of the past... [he] seems to be engaged in a thriller whose instalments can be relied on to animate a whole section of social history.' Spectator'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939
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