Horse in Blackfoot Indian Culture e-bog

Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. Most of the text figures reproduced in this study are based on pencil drawings carefully prepared by Calvin Boy, a young Piegan artist. To insure their accuracy, special precautions were taken. As elderly informants described objects and/or activities I desired to have illustrated Reuben Black Boy and I made rough sketches. We showed these to Calvin Boy and explained to him the content of the desired illustrations. He then drew pictures at a very large scale so that they could be seen readily by elderly informants, many of whom had poor eyesight. The informants examined the drawings and in the presence of the artist made suggestions for any changes in detail that might be necessary. Then Calvin Boy prepared the final pencil or pen-and-ink drawings. The minority of the line illustrations were prepared by the author from his field notes and sketches. I am indebted to the following institutions for permission to repro duce photographs of objects and scenes in this bulletin: American Museum of Natural History, New York; Brooklyn Museum; Chicago Museum of Natural History; Glacier Studio, Browning, Mont. Great Northern Railway; Montana Historical Society, Helena; Museum of the Plains Indian; Royal Ontario Museum of Archaeology; Smith aonian Institution: and Geological Survey, United States Department of the Interior. Throughout the period of this investigation (1941 - 52) I was mind ful of its broader implications. I endeavored to read widely in the scattered and largely unindexed literature on the Blackfoot and other horse-using tribes of the Great Plains and Plateau. In quest of dated materials and comparative data, I examined numerous collections of specimens in museums as well as collections of early drawings, paint ings, and photographs. I sought to obtain comparative data directly from elderly informants among the Flathead Oglala Dakota and Kiowa (1949) tribes as my limited opportunities for field work on their respective reservations permitted. Alice Marriott gra