Horticulturist, and Journal of Rural Art and Rural Taste e-bog
114,00 DKK
(inkl. moms 142,50 DKK)
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. The leading idea of the Greek architecture, then, is in its horizontal lines - the unbroken level of its cornice, which is the level line of rationality. In this line, in the regular division of spaces, both of c...
E-bog
114,00 DKK
Forlag
Forgotten Books
Udgivet
27 november 2019
Genrer
Gardening
Sprog
English
Format
pdf
Beskyttelse
LCP
ISBN
9780243658381
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. The leading idea of the Greek architecture, then, is in its horizontal lines - the unbroken level of its cornice, which is the level line of rationality. In this line, in the regular division of spaces, both of columns and windows, we find the elements of order, law,' and human reason, fully and completely expressed. Hence, the fitness Of classical architecture for the service of the state, for the town hall, the legislative assembly, the lecture room, for intellectual or scientific debate, and in short, for all civil purposes where the reason of man is supreme. So, on the other hand, the leading idea of Gothic architecture is found in its upward lines - its aspiring tendencies. N 0 weight of long cornices, or flat ceilings, can keep it down; upward, higher and higher, it soars, lifting every thing, even heavy, ponderous stones, poising them in the air in vault ed ceilings, or piling them upwards towards Heaven, in Spires, and steeples, and towers, that, in the great cathedrals, almost seem to pierce the sky. It must be a dull soul that does not catch and feel something of this upward tendency in the vaulted aisles and high, open, pointed roofs of the interior of a fine gothic church, as well as its subdued and mellow light, and its suggestive and beautiful forms: forms too, that are rendered more touching by their associations with christian worship in so many ages, not, like the Greek edifices, by associations with heathen devotees. Granting that the Gothic cathedral expresses, in its lofty, aspiring lines, the spirit of that true faith and devotion which inads us to look upward, is it possible, in the narrow compass of a village church which costs but a few hundred, or at most, a few thousand dollars, to preserve this idea? We answer, yes. A drop of water is not the ocean, but it is still a type of the infinite; and a few words of wisdom may not penetrate the understanding so deeply as a great volume by a master of the human heart, but they may work miracles